The photograph features sixteen boxes loaded with cause-and-effect machines. The boxes are connected by openings which lead the narrative of the piece through a linear motion through - and finally out of - the photograph. The work explores ideas about history and how it shapes our societies

The sculpture of a Deep Space Network radio receiver - made out of powder-coated aluminium - is based on the principle of paper-folding modelling. The five accompanying images are the remnants of the production - or the sculpture's origin - which also function as a blue-print or guide lines for the eventual reproduction of the antenna.

Made out of thinly layered plywood, the Oracle is a sculpture portraying a large conch shell. The title implies that if one should listen closely enough, some kind of greater wisdom could be bestowed upon one, just as one as a child would search for the sound of the thrashing waves of the sea with a shell pressed to one's ear.

The seer is a sculpture made out of layered plywood, depicting a set of binoculars, as found on tourist sites and vantage points just about everywhere. As the binoculars are not fitted with optics, the details and enhanced information the viewer expects to find must rather be discovered in his own mind than through the instrument.

The stamp of the mirrored world map is a piece which explicitly discusses the way we perceive the world around us. The world map is probably one of the most iconic images around, and carries within it a large array of issues such as the different projections and their accuracy, the centering of certain parts of the world and so on.

A hybrid between the Chrysler building and a Formula 1 race-car, the sculpture addresses ideas about the early and enthusiastic dawn of modern capitalism. The sculpture is made of layered MDF, with varying paint finishes which accentuate the building.

A set of speakers in a racing start-light type casing. The sculpture repeatedly plays back a beeping sound, such as the countdown used at race-tracks.

The work embodies a hypothetical scenario of a blind race, and was made within the same breath as The Chrysler.

An overhead-projector made from MDF, with a strong light-bulb inside. In lack of the fundamental optical components, the functionality of the projector is non-existant. Instead of projecting an image, Annual Report projects a partial shadow of itself into the ceiling.

And Now You Will Never Know is based on the video projectors of the early nineties, where each color of the RGB color-specter was projected separately. Through a cargo cultish method of appropriation, the function of the object is neglected, and only the visual elements are presented.

A re-working of our previous work Reverse View. Here, the reversed world map is presented as the result of an uncanny accident; a bucket of paint tipping over, rendering the map on the floor.